A Local Act That Channels Music From Present To Past

Gal Musette

Gal Musette opens for Ben Ottewell April 28 at The Coach House
Photo courtesy of Google Images

Whilst some of Orange County’s teeny boppers are cultivating a pseudo persona fuelled by Miley Cyrus’s husky voice (she’s a talented filly, but my god she is graceless when she speaks), benzyl peroxide pads and overly decadent/mawkish ‘sweet sixteens,’ there are a few who attempt to transcend the creatively repressed confines of the cyst that is Orange County. Enter Gal Musette, who is not only influenced by splendid grandeur and antiquity, but also some of the more modern outcasts such as Robert Smith. Musette will be playing at The Coach House on April 28 (opening for Ben Ottewell).

There is a lot to be said of someone who can denude their inhibitions on stage in front of such a judgmental society, especially at such a tender age. Upon listening to Gal Musette’s various tunes, one will come across innocent vocals, and perhaps an artist who has a lot of promise and growth to be fulfilled in the coming years.

Musette was kind enough to submit her energy to the banality of broad journalism-which perhaps isn’t such a bad thing, since being a performer has become interchangeable with the scrutiny of bored writers who are trying to create a composite of romantic tales. Gal was certainly straight to the point and very candid with the brevity of the situation:

OCCG: According to the bio on your website, you are only 14 years old; what influences you most in regards to your music? Songs such as “Already Gone by Moonlight” has quite a mature sound-like that of Sigur Ros-is this through your parents taste in music or your own?
GM: My influences come from my father’s elaborate collection of music, my mother’s love for french songs, and spending time next to my grandfather playing the old masterpiece’s from the 1940’s on his lovely baby grand. My taste in music is most likely a combination of all three.

OCCG: Do you write all of your own lyrics? and how do you balance the songwriting process with the pandemonium of school?
GM: Yes, I write all the lyrics and melodies for my songs. Balancing songwriting and school hours is challenging, but not impossible. However, there is not very much time for making friends as a freshman, nor for doing my old favorite hobbies such as dancing and swimming in the ocean.

OCCG: If you could jam with three musicians, dead or alive, who would they be?
GM: Robert Smith, Bing Crosby, and Roger Joseph Manning Jr.

OCCG: If you could sum up, in one sentence, why the public can’t miss out on the upcoming Gal Musette shows-why would that be?
GM: To be honest, I still wonder why the audience comes at all, as I’m only 15. But I’m so grateful!

OCCG: In terms of the music industry, where do you see yourself in 5 years time?
GM: In New York, always writing songs. In love, I hope.

From her laconic responses, Musette comes across as a mature young lady who certainly has a solid idea of where she is going and where she’d like to be. I’m not going to butter you up with adjectives that stretch the imagination like taffy, or billow out awash of trite grayness-she’s no prodigy, but she’s better than most of the annoying tosh on the radio; I’d rather watch Musette’s melodic cadences accompanied by undefiled lyrics, rather than a one chubby Adele choke out another obsessive lyric about her ex-boyfriend.

Crash Kings Plan To Rule The Coach House Stage

Crash Kings headline The Coach House Thursday, May 9th

Crash Kings headline The Coach House Thursday, May 9th

Formed in the ostentatious ‘la la’ land in 2006, Crash Kings have since established themselves in the alternate rock arena with their eponymous 2009 album, Crash Kings. Flirting with the success of their number one single, “Mountain Man,” Crash Kings continue to tour extensively as they attract a burgeoning following. Crash Kings will be playing at The Coach House on May 9 with opening acts, Orange Blossom Special and The Whereabouts.

Drawing comparisons with such revered acts as The White Stripes and Ben Folds Five, there is a robust sound to be found in this 3-piece. Persevering through the mercurial swaths of the music industry, lead-singer Tony Beliveau granted us a brief interview about the trajectory of the band and what is in store for the new album due out this year.

OCCG: Since you have an album due out this year, what can fans of the Crash Kings look forward to in terms of the direction the band is taking?
TB: I think it will be a slight departure from our previous record with a few twists and turns, but I don’t want to give too much a way yet-it will definitely be worth waiting for.

OCCG: Was the songwriting process smoother for your sophomore album? or have a lot of ideas transferred over from the eponymous album?
TB: Yeah, a lot of ideas transferred over. I feel that it was smoother in a lot of ways, but only due to experience of what works and what doesn’t work.

OCCG: For people who are thinking of coming out to a couple of your gigs, which bands would you consider to be in a similar vein to your music?
TB: I like to think that we’re a bit more original than most bands out there right now. If you’re looking for something a little heavier, you’ll definitely have a good time.

OCCG: If you could have written any song from any artist you admire, which song would it be?
TB: Hm, that’s a tough one-a more recent tracks that springs to mind would be The White Stripes-“Seven Nation Army.”