Living Colour Performed Epic Concert At HOB Anaheim

Living Colour

LIVING COLOUR played epic show at HOB Anaheim July 9

More than thirty years after originally forming in New York City, Living Colour showed that rock n’ roll is by no means a young man’s game, delivering an animated, powerful and musically tight show at the House of Blues in Anaheim on July 9.

Each member of the band, Corey Glover (vocals), Vernon Reid (electric guitar), Doug Wimbish (bass) and Will Calhoun (drums), showcased their musical virtuosity repeatedly throughout the 90 minute musical set.

Over an evenly mix of covers and original hits, Living Colour provided the audience with a canvas of different styles ranging from funk and hard rock to heavy metal and the blues. Much of the crowd, composed primarily of middle aged couples with the exception of a few parents and their kids, didn’t arrive until a few minutes before the show due to the absence of an opening act.

However, by the time the band walked out on stage and kicked the show off with a cover of Notorious B.I.G’s “Who Shot Ya?,” the concert hall was in full swing. Glover’s somewhat scornful delivery of the late rapper’s lyrics quickly got the near sell-out crowd bobbing their heads and moving side to side.

Following a cover of Robert Johnson’s blues classic “Preachin’ Blues”, the band began a medley of their own songs including “Middle Man”, “Desperate People” and “Funny Vibe.” Well known for their often political and socially conscious lyrics, Living Colour added a “Hands Up, Don’t Shoot!” section to “Funny Vibe” which got the crowd to follow suit and form a wave of erect arms.

Vernon Reid’s stunning, crisp guitar playing and Doug Wimbish’s funky bass rhythms were most evident during a performance of “Bi” at the midway point of the show. At one point, Wimbish maneuvered to the center of the stage, lifted up his bass and played a brief solo—with his teeth.

Drummer Will Calhoun didn’t let the spotlight escape him either, concluding a cover of James Brown’s “Get on Up” with a captivating nine minute drum solo. With his fellow band members off stage, lights dimmed and red glow in the dark drum sticks in hand, Calhoun let out a furious display of his drumming prowess.

When the crowd called for an encore, Living Colour responded with two songs—“Cult of Personality” and a cover of The Clash’s “Should I Stay or Should I Go.” Glover created a deafening roar from the crowd and a few nervous security guards when he jumped off stage and walked through the audience while singing the group’s trademark and Grammy-award winning 1988 hit.

Simultaneously giving high fives and belting out lyrics, Glover found his way to the second floor of the venue standing next to comedian George Lopez before returning back to the center of the stage for the conclusion of the song.

The show marked the final headlining concert for Living Colour before they joined Aerosmith’s Blue Army Tour the following day as the opening act.

The Griswolds’ Headline U.S. Tour Stops At Troubadour And Observatory

The Griswolds

THE GRISWOLDS play Troubadour Jun. 30 and Observatory OC Jul. 6 photo: Jory Lee Cordy

Indie-rockers The Griswolds will head to SoCal for a pair of shows as part of their Excellent Adventure Tour across North America.

The band will perform for a sold out crowd at The Troubadour in West Hollywood on Jun. 30 and then head down to Orange County for a show at The Observatory on Jul. 6.

Originally formed three years ago in Sydney, Australia, the group quickly drew internet buzz after posting their debut single “Mississippi” online. Shortly thereafter, The Griswolds scored another hit with “Heart of a Lion”, which reached No. 12 on an emerging artist list.

Their debut album “Be Impressive”, released in August 2014, featured a cocktail of 80’s-inspired synth-pop, crisp guitar lines, catchy choruses and Christopher Whitehall’s soft falsetto vocals.

Concert Guide Live caught up with Whitehall to discuss the band’s recent tour alongside Walk The Moon, their active social media presence and the importance of avoiding the sophomore slump.

CONCERT GUIDE LIVE: You spent the last few months opening for Walk the Moon on their North American Tour. What was that experience like?
CHRISTOPHER WHITEHALL: We learned a lot from being on the road with those guys, as well as made some friends for life. We would love to tour with those guys again one day.

CGL: You guys have risen relatively fast in the music world, from performing at a bar in Sydney as your first gig a few years ago to headlining your own tour across the U.S. Despite the rapid success, was there ever a low point during your band’s journey?
CW: There have been plenty of highs and lows I’d say, but the whole experience has been pretty positive so far. No complaints at all.

CGL: How has your music evolved since you first began playing music together in 2012?
CW: We’ve really started listening to everything and made sure we don’t have any rules when it comes to writing. We just want to write what feels good.

CGL: What is your favorite song to perform live? Why?
CW: “Beware the Dog” always goes down well. The crowd all sings along and it’s always a shit ton of fun.

CGL: What are the most notable differences between an American and Australian crowd at one of your concerts?
CW: To be honest, not a whole lot.

CGL: You guys have a very active social media presence (Snapchat, Tumblr, Facebook). How important is it to be able to interact with your fans?
CW: We love it. It’s cool to be able to have a direct line to the fans and interact together.

CGL: Are there any current artists you’d like to collaborate with?
CW: Yeah we’d love to do some writing with Walk The Moon in the near future.

CGL: Your song “16 Years” is featured on the FIFA 15 soundtrack. Have you had the chance to play the game and hear your song?
CW: Yeah for sure. It’s a total spin out and one of the coolest things that’s ever happened to us. We’re all big fans of the game.

CGL: Is there a particular venue or city in the United States that you would still like to play at?
CW: Miami and Hawaii would be awesome.

CGL: The second album for a lot of bands is a letdown, especially after a strong debut album. A few months ago you guys confirmed that once you return to Australia at the end of the tour, you will begin work on the second album. How do you avoid the dreaded sophomore slump?
CW: I think you try and ignore what people expect of you and just have fun with it. You write songs you love which is what we did with album one and that’s what we’ll do again.