Camera charged. Lens cleaned. Press confirmation ready. All I needed to do was hop in the car and make the 2-hour drive to San Diego from Orange County. Now, I don’t make these drives for just any band. Taking Back Sunday has served as a pillar in my love for rock music as long as I can remember. Tonight’s show was extra special. Their current touring cycle is in honor of their 20-year anniversary – something not many bands get to celebrate.
Last time I shot Taking Back Sunday, I was covering their show at The Observatory in Santa Ana, The Observatory North Park’s sister venue. That show had also sold out. I remember how crazy packed it was inside the venue – we photographers barely had any room to get out of the pit once our 3 songs were up. Needless to say, I was expecting the same for tonight!
I arrived early to make sure I got inside to catch the openers on this tour- Frank Iero and the Future Violents. Without getting too far into my music listening history, I’m sure we all know Iero was the guitarist in My Chemical Romance. Eleven-year-old me wouldn’t believe that we would get to see AND photograph his new band in addition to Taking Back Sunday!
Only two photographers were in the pit alongside me for the first act. I was surprised by this, as well as by the sheer size of the pit at North Park. I usually compare the photo pit to a trench, but this pit was at least 7 feet wide! More room is always a plus as it gives more space to shoot from different angles and catch more action both on and off the stage. I used this basically empty pit to shoot from both close up and far away. A lot of red tone lighting gave a challenge, but that just meant I had to speed up the shutter and kick up the ISO a bit to be sure that the photos would capture sharp movement. Correcting red lighting was going to be for editing in post- something I’m more than accustomed to now!
Once it was time for Taking Back Sunday to hit the stage, the venue was packed! More photographers had shown up now. This made me ultra-grateful for the larger photo pit. With a pristine multicolored neon of the band’s logo behind them, the performance was bathed in a blend of red, blue, purple, and yellow light. The first few shots I took had me concerned – there was a lot of back lighting action going on. However, I knew this would just take patience. I had to wait for the right moments to snap. I raised my ISO until I found where I needed to be, as well as continued to change shutter speeds with the different lighting schemes of each song. In addition to the band, I always try to keep an eye on what’s going on behind me – what are the fans doing?
If you couldn’t feel the energy in the room when TBS launched into “Cute Without The E”, I would think you were broken. The crowd immediately SCREAMED along (myself included!). I turned my back to the stage for a moment, knowing there were some great photos to be made of the audience. Once our three songs were up, I spent some time getting some more broad shots of the scene from the back of the venue. It felt amazing to see such a blend of fans, many of which had been there for all 20 years of the band’s history, still supporting and participating in the TBS community. Is there a better way for a band to celebrate?